Berklee Practice Method For Bass, Dla Basisty i gitarzysty

[ Pobierz całość w formacie PDF ]
FREE music lessons from
Berklee College of Music
Berklee Practice Method
Bass
Get Your Band Together
Rich Appleman
John Repucci
and the Berklee Faculty
Chapter 6
Playing Hard Rock
Click CD icons to listen to
CD tracks from book.
Press ESC to cancel sound.
Check out
for more lessons
just like this one.
PLAYING HARD ROCK
“
d
o
n
,
t
“Don’t Look Down” is a
hard rock
tune. Hard rock first appeared in the late
1960s. It has characteristic heavy bass, long, drawn out chords, and amplified
instruments. To hear more hard rock, listen to artists such as Aerosmith,
Metallica, Powerman 5000, the Allman Brothers Band, Rob Zombie,
Godsmack, 311, Stone Temple Pilots, Black Crowes, Steve Vai, and Smashing
Pumpkins.
l
o
o
k
LESSON 21
TECHNIQUE/THEORY
d
o
w
n
,,
LISTEN
40
P L A Y
Listen to “Don’t Look Down” and play along with the recording. Try to match the bass. This tune has
two parts.
In the first part, the bass plays these notes:
In the second part, the bass plays these notes:
01 03 01 03
3
1
3
HAND POSITION
You can play both these riffs in first position. Some rock players prefer to play the second lick on the E string.
This gives it a heavier sound, but your hand must change positions:
8
6
3
102
CHAPTER VI
LESSON 22
LEARNING THE GROOVE
HOOKING UP TO HARD ROCK
Listen to “Don’t Look Down.” This tune has a standard rock/metal groove. It is a heavy feel, with very simple
drum and bass parts. These parts must be simple because they are intended to be played in large arenas, where
echoes would make busier parts sound muddy. It’s a case of “less is more.”
LISTEN
41
P L A Y
Listen to the first part to “Don’t Look Down.” The groove has a sixteenth-note feel. Eighth notes are played
straight. The bass is joined by the guitar, making the riff as prominent as the melody. This active riff has a
strong sixteenth-note feel. Notice the syncopations. Tap your foot on each beat, and count out the sixteenth
notes as you listen:
1e+a2e+a3e+a4e+a
The bass drum plays on beats 1 and 3, which is typical of rock drum beats. The two syncopations in the bass
line—on the “e” of 1, and on the “a” of 2—make the first and third beats even stronger. The first syncopation
comes later than expected, as if it were bouncing off the first beat. The second one comes before the third beat,
as if it were leading to it.
Listen to the second part to “Don’t Look Down.” Count the sixteenths of the second riff. Does the syncopated
note come earlier or later than the beat?
LISTEN
42
P L A Y
1e+a 2e+a3e+a4 e+a
When you are comfortable counting these rhythms, play the line on your bass along with the recording. Play
exactly the same part as you hear in the guitar.
LESSON 22: LEARNING THE GROOVE
103
LESSON 24
READING
BASS PART
Play “Don’t Look Down” along with the recording. Use the written the bass part.
1
2
First and second ending markings. The first time you play these measures, play the
first
ending
—the measures under the number 1. Then return to the begin-repeat sign (
). The
second time, skip the first ending and play the
second ending
—the measures under the
number 2. Then, continue through the rest of the form.
LISTEN
44
P L A Y
,
Don’t Look Down
Bass Part
By Matt Marvuglio
"Rock" = 88
Intro
C
G
Melody
Bass
A
%
F
C
G
F
C
1
2
G
G
108
A17
C
G
To Coda
fi
B
Solos
F
C
G
F
C
G
B17
C
G
After solos, D.S. al
fi
CODA
fi
G
LESSON 24: READING
109
[ Pobierz całość w formacie PDF ]

  • zanotowane.pl
  • doc.pisz.pl
  • pdf.pisz.pl
  • braseria.xlx.pl

    •